Date of publication: 2017-08-23 15:22
As the final step, one or two members of the project team examined all these photos manually. While most photos were tagged correctly, we found some mistakes. We wanted to keep the data size the same (to make visualizations comparable), so our final set contains 695 selfie photos for every city.
This essay reviews some of the most recent debates on the selfie phenomenon and places it into a broader context of photographic self-portraiture, investigating how the Instagrammed selfie differs from its precursors. The Selfie phenomenon should be viewed in the light of history of photography as a sub-genre of self-portraiture and as a new subject of vernacular photography studies as well as treated as a side product of technological developments that have led to the easy availability of image-making devices and image-sharing platforms.
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In these grids, we have arranged the photos horizontally by head tilt the vertical axis shows you if people look up or down.
In addition, we can crop and rotate the photos to center on the faces:
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We submitted these photos to Mechanical Turk again, asking three "master workers" (. more skilled workers) not only to verify that a photo shows a single selfie, but also to guess the age and gender of the person.
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Freelance Consultant exploring the cultural impacts of ubiquitous access to information to create new products and services. . Royal College of Art.
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Writing about media interface presentations and their relation to larger cultural trends is tricky. Different elements are constantly added, changed or removed, new services are frequently developed and released to public use, and new technologies capture the imaginations of many. Within this flux, what can we say about social photography in particular and contemporary image productions in general, that is not confined to the characteristics of one platform or another? Can we identify overarching processes that cross platforms and are destined to change the way we interact with images?
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